The Museo Nazionale del Cinema, housed in the Mole Antonelliana, a symbol of Turin, is one of the most important in the world for the richness of its collections. Unique in its kind, it offers an exhibition route that traces the history of cinema from its origins to the present day, through an engaging interactive itinerary.<\/p>\n
The ticket includes access to the permanent exhibition<\/strong> (Archaeology of Cinema, Temple Hall, Cinema Machine, Poster Gallery)<\/em> and temporary exhibitions.<\/strong><\/p>\n The current or upcoming exhibitions are:<\/p>\n \u201cPazza\u00a0idea. Beyond ’68: pop icons in the photographs of Angelo Frontoni<\/strong>\u201d (20\/09\/2025 to 09\/03\/2026)<\/p>\n The National Museum of Cinema in Turin is dedicating an exhibition to Angelo Frontoni<\/strong>, one of the photographers who best captured the world of cinema, fashion and entertainment in Italy. The exhibition, housed in the Temple Hall and along the spiral ramp of the Mole Antonelliana, presents a selection of images from the Frontoni Archive, a collection of over 546,000 photographs acquired by the Museum and the National Film Archive of the Experimental Centre of Cinematography.<\/p>\n The photographs on display capture the spirit of an era marked by profound social and cultural transformations, alternating between seduction, irony, provocation and light-heartedness. These are not mere portraits, but true visual narratives, capable of capturing the essence of their subjects while reflecting changes in taste and the collective imagination.<\/p>\n The exhibition thus offers an opportunity to rediscover a unique iconographic heritage, which retains its expressive power intact and maintains its ability to dialogue with today’s viewer.<\/p>\n Manifesti d\u2019artista (October 20, 2025 \u2013 February 22, 2026)<\/em><\/strong><\/p>\n The Museo Nazionale del Cinema<\/em> in Turin inaugurates an exhibition dedicated to auteur film posters, drawing from its prestigious collections. For the first time, the posters are presented not as mere promotional materials, but as autonomous works capable of intertwining cinema, art, and society.<\/p>\n Hosted on the reception floor of the Mole Antonelliana, the exhibition traces a century of visual creativity, from the refined graphics of the 1920s by Toddi and Vera D\u2019Angara, to the Futurist experiments of Prampolini, the ideological posters of Rodchenko, and the visionary interpretations of Baj and Guttuso.<\/p>\n Through styles ranging from avant-garde geometry to satirical invention, the exhibition reveals how the film poster evolved from a promotional tool into an artistic language, a mirror of the cultural and political transformations of the 20th century. An extraordinary heritage that not only tells the story of cinema but also reflects the evolution of figurative art, confirming the poster as a vital crossroads of aesthetics and thought.<\/p>\n <\/p>\n